Cashiers Historical Society Ramble: Tour Guide Excursion to Asheville

23 August 2006

Smith Mc-Dowell House - 283 Victoria Road, Asheville, NC  828-253-9231

Directions: The Smith McDowell House Museum is located on the campus of Asheville-Buncombe Technical Community College. From I-40:Take Exit 50 toward Biltmore Estate and downtown Asheville. Turn left at end of ramp on Biltmore Ave. Proceed ½ mile and stay in right hand lane as the road forks. Stay on Biltmore Ave. for 1 mile. Turn Left onto Victoria Road at the signal by Mission Hospital’s St. Joseph Campus. The Museum is located on right ½ mile down Victoria Road

The Smith-McDowell House is the oldest surviving house in Asheville and the oldest brick house in Buncombe County, North Carolina. The house was built by James McConnell Smith (1787-1856) and his wife Mary “Polly” Patton (1794­1853) on land that Smith’s father Colonel Daniel Smith (1757-1824) acquired via a land grant for Revolutionary War soldiers. Smith’s parents were among the earliest settlers to the region and James is said to have been the first white child born west of the mountains in North Carolina.

Smith was one of the most influential men in antebellum Asheville and one of the leading businessmen in North Carolina. He was a judge and mayor, and owned a store, the Buck Hotel, a tavern, two plantations, a tannery, and a gold mine. In 1833, Smith built and operated a state-licensed toll bridge over the French Broad River on the Buncombe Turnpike, a part of the Drovers’ Road which linked farmers from Greeneville, TN and western North Carolina to markets in South Carolina and Georgia. Because of his monopoly on the bridge, Smith was able to acquire great wealth for his times. At one time, he owned more than 30,000 acres across the County. Around 1840, Smith, built a mansion on his plantation south of Asheville. Slave labor was probably used to produce the four-story brick house. Brick was rare in the region at the time, and most of Smith’s contemporaries lived in log cabins.

Upon Smith’s death in 1856, his son, John Patton Smith (1823-1857), inherited the house. When John died a year later, James’ business partner and son-in-law, William Wallace McDowell (1823-1893), and Sarah Lucinda Smith McDowell (1826-1905) purchased the house and 350 acres for $10,000. On the eve of the Civil War, McDowell organized the Buncombe Riflemen, the first group of Confederate volunteers from Western North Carolina and achieved the rank of Major. During the War, the house was visited by Union troops.

After the War, economic reversals forced the McDowells to sell portions of their land. In 1881, they sold their home and 15 acres to Alexander Garrett (c. 1820- 1895) an immigrant from Ireland who had made his fortune in St. Louis, Missouri. Like many others, Garrett came to Asheville with hopes that the mountain air would cure his daughter-in-law’s tuberculosis. Garrett updated the house and connected the summer kitchen to the main house. He also founded and became the Mayor of Victoria, the wealthy community surrounding his home, and built the Victoria Inn. Later, he sold the house to his son, Robert for $1.00.

Dr. and Mrs. Charles Van Bergen purchased the house from Robert in 1898. Van Bergen commissioned Frederick Law Olmsted, Jr. to create a landscape plan for his property and added a new carriage house that, according to tradition, was designed by Richard Morris Hunt. (The formal garden area and the carriage house are pictured in around 1913). Subsequent owners were Henrietta Bates McKee (friend of the Vanderbilts and President Roosevelt), millionaire Brewster Chapman, and Herman Gudger (General Manager of DuPont during WWI and Vice-President of the Goldwyn Corporation of film fame). Chapman hired Richard Sharp Smith, supervising architecture for Biltmore Estate, to update the house in 1913.

In 1951, the Catholic Diocese purchased the house for a boy’s school dormitory. In 1974, the then dilapidated house and grounds were purchased by Asheville-Buncombe Technical Community College. That same year, the Western North Carolina Historical Association rescued the house from demolition by negotiating a lease to restore the house as a heritage center. After fund-raising and extensive restorations, the Museum opened in 1981. Today, the restored Smith-McDowell House is a nonprofit museum and is included in the National Register of Historic Places. It is the finest surviving example of brick antebellum architecture in Western North Carolina.

Museum manager describes the history of the house to the Z-T House Tour Guides the parlor with period furnishings and clothing

Susan Davis admires the museum antiques

Zachary-Tolbert House Tour Guides take a breather

 

Grove Park Inn

DRIVING: Directions to The Grove Park Inn Resort & Spa: From I-26 or I-40, take I-240into Asheville. -Take exit 5B, Charlotte Street.  -Proceed north on CharlotteStreet for approximately 1.3 miles. - Turn right on Macon Avenue and continue for .8 mile. -The Grove Park Inn Resort &Spa entrance will be to your left.

Walking Through History at the Grove Park Inn

The hotel’s own history began in the late 1800s when Edwin W. Grove, founder of Grove’s Pharmacy and Paris Medi­cal Company in St. Louis, began spending summers in Asheville, N.C. in hopes the invigorating mountain air would provide relief for his bronchitis. Not only did the Asheville’s restore Grove’s health, it inspired him to build a magnificent hotel where others could come for relaxation and restoration as well. There’s a delightful display of memorabilia from the inn’s early days that’s part of the walking tour. The nostalgic collection includes vintage photos, original roof tiles (the inn retiled its famous red roof for the first time in 87 years in 2000) and a collection of patent medicines produced by Edwin Grove’s company. My favorite: the bottle of Grove’s Tasteless Chill Tonic.

The tonic is the only “tasteless” thing about the walking tour, which really begins before you enter the hotel. The Grove Park’s unique look was inspired by the craggy rustic style of the Old Faithful Inn in Yellowstone National Park, which Grove had visited. Unable to find an architect who understood his concept, Grove turned to his son-in-law Fred Seely, who without the aid of an architect or contractor, designed and supervised the construction of the inn himself. Huge granite boulders—some of them weighing as much as 10,000 pounds - were taken from the nearby Sunset Mountain and fitted into place over a steel and concrete frame by Italian stonemasons and hundreds of local workers. On July 13, 1913 after a year of construction, the Grove Park Inn opened its doors with William Jennings Bryan delivering the address at the grand opening banquet. Upon entering the hotel today, you’ll find yourself lost in the lobby—or Great Hall as it is more aptly called. At 120 feet long and 80 feet wide, this is a lot of lobby. Anchoring the hall at either end are two massive fireplaces—each large enough to burn 12-foot long logs and each containing an elevator. That’s right, an elevator. These hand-operated wonders run alongside the chimney shafts within the rock work of the great fireplaces and transport guests and luggage to the upper floors.

Back in the Great Hall, however, there’s even more to wonder at. Originally the lobby was furnished in wicker pieces but all that was replaced in the 1930s with the wonderful wormy chestnut Paddlearm sofas and chairs that guests sink into today. Authentic Arts and Crafts furniture and lighting fixtures are seen throughout the lobby and in the main inn’s guest rooms. The most famous piece is the Roycroft grandfather clock that stands against one of the Great Hall’s center columns. Only three of these clocks were made and the Grove has two of them (the other keeps time across from the memorabilia collection just off the Great Hall). Another unique feature of the Great Hall are the inspirational quotes engraved on its stone walls. You can pick up a complete list of quotations at the concierge’s desk or just wander about and read the words of everyone from Thoreau and Emerson to anonymous Oriental and Native American thinkers.

When using any driving directions or map, it’s a good idea to do a reality check and make sure the road still exists, watch out for construction, and follow all traffic safety precautions. This is only to be used as an aid in planning. Next, hop aboard the elevator near the front desk and ride inside the chimney shaft to the third floor to see the Palm Court, one of the first atrium lobbies in the country. We stayed on the 4th floor overlooking the Palm Court and just a few doors down from rooms 441 and 443 where F. Scott Fitzgerald stayed and wrote in 1935 and 1936. Room 441 has been restored to the way it looked when the writer was in residence—spare and simple Arts and Crafts furniture, no art work on the walls, a simple cotton spread on the bed, a 1920s black dial phone and a writing desk with ink stains in the ink well. It’s no shrine, though, and you can book Fitzgerald’s room for your own literary stay at the Grove if you choose. Other literary lights who have stayed at the Grove include Charles Frazier, author of the haunting Civil War novel Cold Mountain, and Jan Karon, author of the best-selling Mitford Years series of novels. Presidents, movie stars and sports figures have stayed here, too, and you can see dozens of their photos in the two Celebrity Galleries on the walking tour. The concierge can also provide a pamphlet with profiles of many of the famous folk who have stayed at the Grove. Of course, all the rooms at the Grove are marvelous—whether someone famous has slept there or not. Rooms in the main wing where we stayed feature genuine Arts and Crafts furniture and lighting fixtures dating from 1900-1940 but they also have modern conveniences like cable TV, coffeemakers, microwaves, mini-refrigerators and hair dryers. Rooms in the two modern wings feature a more contemporary décor plus all the aforementioned amenities. Not matter which you choose (and for history buffs the rooms in the main wing are a must), you’ll find a night at the Grove a perfect mix of modern comfort and timeless style. After my walking tour and a comfortable night’s sleep, I enjoyed the delicious, hearty breakfast buffet at the Blue Ridge Grill, with spectacular views of Asheville and the mountains in the distance. The grill is one of several restaurants and casual eateries at the Grove ranging from the upscale Chops steakhouse to the new Spa Café and Juice Bar located in the inn’s spectacular $40 million spa that opened in spring 2001. From hot stone massages and red wine and honey facials, the spa is the inn’s newest attraction. Others enticements include the Grove’s own golf course, tennis courts, swimming pool and a sports and fitness center. For more information or reservations, call the Grove Park Inn at 800-438-5800 or go to www.groveparkinn.com.

the Tour Guides enjoy a delicious meal at the Grove Park Inn

Elaine and Bill Hunt enjoy dessert at the Grove Park Inn

 

Grovewood Gallery

This very special gallery is home to an extraordinary collection of fine craft, garden sculpture, and handcrafted furniture… pre­sented in such a delightful setting that it’s no wonder it was chosen as one of the top 10 craft galler­ies in the country. Come see for yourself this collection that delights the eye as well as the heart. 

Homespun Shops Celebrated By Bruce Johnson

In the years after the Biltmore Estate opened in 1895, George and Edith Vanderbilt spent hours exploring the surround­ing Blue Ridge Mountains, buying for their Northern friends homespun fabrics from the women who lived and worked in mountainside cabins. Edith Vanderbilt took a keen interest not only in the fabrics she discovered, but in the people as well. In 1901, she founded the Biltmore Estate Industries, an industrial school to train young men and women living in Biltmore Village, which George Vanderbilt had constructed for the man and women who operated his estate. While many crafts were taught in those early years, the hand-weaving of fine cloth and woodworking proved the most popular and practical. Edith Vanderbilt recruited two young teachers, Charlotte Yale and Eleanor Vance, and sent them to Scotland to learn even more about looms and the art of weaving quality homespun cloth from wool. The woodcarving department evolved from the Biltmore Boys Club, which Edith Vanderbilt also organized in 1901. The original club was restricted to boys between the ages of 13 and 17, but within months the club had become a depart­ment of the Biltmore Estate Industries in Biltmore Village. Under the leadership of Yale and Vance, and with the benevo­lent guidance of Edith Vanderbilt, Biltmore Estate Industries soon established a reputation for quality craftsmanship. By 1916 the eight looms of Biltmore Estate Industries could not meet the demand for their homespun cloth; their hand-carved walnut, and mahogany bowls, candle-sticks, bookends and furniture sold briskly in their shop in Biltmore Village. The need for additional space was only partially relieved by moving some crafters into a building on the estate. But at a time when the Biltmore Estate Industries needed additional leadership and business experience, tragedy struck. In 1914, the 52-year old George Vanderbilt died. Edith Vanderbilt became solely responsible for the sprawling Biltmore Estate and a single parent for their 14-year old daughter Cornelia. George Vanderbilt’s lavish lifestyle had left little available cash for his widow and daughter. While their extensive land holdings and family trust insured a secure future, Edith found it necessary to sell 80,000 acres of timber to the U.S. government for the Pisgah Mountain National Forest and later subdivided another portion of the estate into lots for a development called Biltmore Forest. Without the time, experience or money to expand and direct Biltmore Estate Industries, Edith Vanderbilt considered selling her personal project to Fred Seely, the son-in-law of Edwin W. Grove. Seely had supervised the construction and furnishing of the Grove Park Inn in 1913 and since 1914, leased the 150-room hotel from Grove and managed it himself. In just three years in Asheville, Seely had demonstrated his ability to organize and direct the staff at the Grove Park Inn, garnering the reputation as “the finest resort hotel in the world.”

North Carolina Homespun Museum Open April - December Monday - Saturday 10:00 AM - 5:00 PM  Sunday 1:00 PM - 5:00 PM

Jan Wyatt at the Grovewood Car Museum

Amazing antique cars at the Grovewood Car Museum

An incredible original 1959 Cadillac with 'suicide doors' Carol Higginbotham's 'test drive'
 

Thomas Wolfe Memorial

52 N. Market St. Asheville, NC 28801 (828) 253-8304 1. Left on CHARLOTTE ST (at CHARLOTTE ST & MACON AVE.  2. Bear Right on ORCHARD ST -go 0.2 mi.  3. Turn Left on CENTRAL AVE -go 0.1 mi.  4. Turn Right on WOODFIN ST -go 0.1 mi.  5. Left on N. Market Street.

Thomas Wolfe left an indelible mark on American letters. And his mother’s boardinghouse in Asheville, now the Thomas Wolfe Memorial, has become one of literature’s most famous landmarks. Named “Old Kentucky Home” by a previous owner, Wolfe immortalized the rambling Victorian structure as “Dixieland” in his epic autobiographical novel, Look Homeward, Angel. A classic of American literature, Look Homeward, Angel has never gone out of print since its 1929 publication, keeping interest in Wolfe alive and attracting visitors to the setting for this great novel. Thomas Clayton Wolfe, the youngest of eight children, was born October 3, 1900, at 92 Woodfin Street in Asheville. His father, William Oliver Wolfe (1851-1922), was descended from hardy Pennsylvania German-English-Dutch farmers; his mother, Julia Elizabeth Westall Wolfe (1860-1945), was a third-generation North Carolinian of Scots-Irish-English stock. Surprisingly, Julia Wolfe did not operate the boardinghouse because of financial need. W. O. Wolfe made enough money from the tombstone shop he owned and operated on Asheville’s city square to support the family. But former teacher Julia was obsessed with the real estate market and used profits from the boardinghouse’s operation to buy more property. A shrewd and hard-nosed businesswoman, Julia Wolfe was remembered as a “driver of hard bargains” by family members. The sprawling frame of the Queen Anne-influenced house was originally only six or seven rooms with a front and rear porch when it was constructed in 1883 by prosperous Asheville banker, Erwin E. Sluder. By 1889, additions had more than doubled the size of the original structure, but the architecture changed little over the next 27 years. In Look Homeward, Angel Thomas Wolfe accurately remembered the house he moved into in 1906 as a “big cheaply constructed frame house of eighteen or twenty drafty, high-ceilinged rooms.” In 1916, Wolfe’s mother enlarged and modernized the house, adding electricity, additional indoor plumbing, and 11 rooms. Today the boardinghouse where Thomas Wolfe spent his childhood and adolescence feature furnishings that evoke the daily routine of life in both fact and fiction. In Wolfe’s second novel, Of Time and the River (1935), 14 years before the “Old Kentucky Home” became a memorial, Wolfe already had intuitively assessed the house’s true importance. He said his mother’s “old dilapidated house had now become a fit museum.” It is preserved almost intact with original furnishings arranged by family members very much the way it appeared when the writer lived there. Memories, kept alive through Wolfe’s writings, remain in each of the home’s 29 rooms. Thomas Wolfe was perhaps the most overtly autobiographical of this country’s major novelists. His boyhood at 48 Spruce Street shaped his work and influenced the rest of his life. So frank and realistic were his reminiscences that Look Homeward, Angel was banned from Asheville’s public library for over seven years. Today Wolfe is celebrated as one of Asheville’s most famous citizens, and his boyhood home has become a part of our nation’s literary history. Of Time and the River was a continuation of Look Homeward, Angel and Wolfe’s last two major novels (published posthumously), The Web and the Rock (1939) and You Can’t Go Home Again (1940), followed the events of his life in New York and Brooklyn, his wandering travels through Europe, his success as a novelist, and his final sad revelation of “you can’t go home again.” Thomas Wolfe died in the prime of his life of tubercular meningitis on September 15, 1938, 18 days short of his 38th birthday. Wolfe’s mother lived in the “Old Kentucky Home” until her death in 1945. Four years later her surviving sons and daughters sold the house to a private organization, the Thomas Wolfe Memorial Association, and it opened to the public as a house museum on July 19, 1949. The association continued to operate the memorial until 1958, when it was taken over by the City of Asheville. On January 16, 1976, the North Carolina Department of Cultural Resources acquired the property.

the Z-T tour guides relax on the porch of the Thomas Wolfe Memorial House Elaine Hunt inspects one of the many original framed diplomas and memorabilia
original furnishings from Wolfe's childhood the kitchen was not affected by the fire, other than smoke damage

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